Portrait of non-binary person smiling in front of a city skyline background. They are wearing red glasses.

Reflections on Teaching

I am attentive to the ways we tell stories. In my teaching, I emphasize the role that narrative plays in our understanding of history and culture—not only the voice or perspective, but the medium and method.

  • As an ethnomusicologist, ethnography is a key factor in my pedagogy. Work that is about communities should involve the community. In “Drag on the American Screen,” I guided students to conduct fieldwork (in-person or digital) in local drag communities. I also worked with local performers and producers to coordinate an online event hub so interested students could maintain involvement throughout the semester. I received feedback from students that they appreciated the guided fieldwork, as many did not know there was a thriving queer community outside of campus, and from community members noting the influx of community engagement.

  • Some of my favorite semesters have been when I tailored discussion sections around Pauline Oliveros’s deep listening. For example, Introduction to the Study of Music aimed to challenge pre-conceived notions of musical elements as found in the Western Art Music tradition. I furthered this goal by using assignments like a listening journal with prompts, in-class [deep] listening exercises, and small group discussions to help students develop skills in listening with their whole bodies rather than just their ears. These skills were reflected in their concert reports and final ethnographic projects. They had developed an awareness and functional language to describe their own personal engagement with the material.

  • I am a proponent for using project-based methods to help instill a sense of agency in a topic. Reaffirmed by student evaluations and feedback, I utilize small group discussions throughout the semester for students to approach our topic collaboratively while also giving them the space to educate their peers on their own research processes and outcomes. These are especially important in an age of online learning.


Instructor of Record

 

Drag on the American Screen

RCHUMS 251, University of Michigan, non-majors, residential liberal arts program, history of music tech & film through the lens of drag (designed syllabus)

 

Graduate Student Instructor

 

Introduction to the Study of Music

MUSICOL 139, University of Michigan, music majors, topical, “world” music (discussion sections)

 
 

Music Here and Now

MUSICOL 140, University of Michigan, music majors, American music (discussion sections)

 
 

Music in Science Fiction

MUSICOL 346, University of Michigan, non-majors, history of music technology & film (grader only)

 

Guest Lecturer

 
 
 

Film Music

MUSICOL 506, University of Michigan, graduate students & upper-division undergraduate music majors

Topic: History & analytical theories of music videos

Introduction to Music (Invited)

MUSICOL 139, University of Michigan, undergraduate music majors

Topic: Introduction to gender and sexuality in music practices around the world

Introduction to Music (Invited)

Music and Queer Performance, Washington University in St. Louis, undergraduate music majors

Topic: digital drag and ethnomusicological performance practice

 
 
 

Teaching Assistant

 

American Popular Music

MUS 118, University of Illinois at Chicago

 
 

Latin American Music

MUS 127, University of Illinois at Chicago

Also Interim Instructor, Winter 2022